Finally! A new video! :))) This is Miyu wa Tenkousei in Synthesia. Midi:https://www.mediafire.com/?fq0vqezms84xaza
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Born: March 1, 1810, Żelazowa Wola, Poland Died: October 17, 1849, Paris, France Nationality: Polish Buried: October 30, 1849, Père Lachaise Cemetery, Paris, France Compositions: Preludes, Waltzes, Nocturnes, Études, more Parents: Justyna Krzyżanowska, Nicolas Chopin No copyright infringement intended.
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Midis:http://www.mediafire.com/file/6ia7ycraw6dldst/Etudes+d%27execution+transcendante+d%27apres+Paganini.rar Timestamps: Etude 1: 0:00 Etude 2: 4:40 Etude 3: 10:17 Etude 4a:https://www.youtube.com/watch?v=ilci8EmG8so&index=2&list=PL2cvnVh2-m7ZMgaokcoHlf_nQYBuJwyO0 Etude 4b: 13:54 Etude 5: 16:37 Etude 6: 20:15
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Timestamps: 0:00 - no.1 4:49 - no.2 10:06 - no.3 14:42 - no.4 16:39 - no.5 19:40 - no.6
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I do not own anything in this video. All rights goes to The Sorabji Archive, Alistair Hinton, Altarus, and John Ogdon Foundation.
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Evryali is a piece for solo piano composed by Iannis Xenakis in 1973. It is based on a technique Xenakis invented in early 1970s, called arborescences—proliferations of melodic lines created from a generative contour (Harley 2004, 72). The title refers to the name of one of the Gorgon sisters, and is also Greek for open sea. Midi:http://www.niwo.com/music/evryalixx.mid Sheets:en.scorser.com/Out/300535490.html
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Download all midis:https://www.mediafire.com/file/6ia7ycraw6dldst/Etudes%20d%27execution%20transcendante%20d%27apres%20paganini.rar This is a reupload of my previous video ( Etudes d'execution transcendante d'apres Paganini) because I have all of the midis (some are made by me 1a,4a,5a)
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Tellef Johnson, piano. This are the last moments of Sonata no.5 (Opus Archimagicum), Preludio-corale sopra 'Dies Irae'. Sempre oscuro, sordo e con un qualsiasi sentiment di minaccia. I do not own anything in this video. All rights goes to The Sorabji Archive, Alistair Hinton, Alexander Abercrombie, and Tellef Johnson. www.sorabji-archive.co.uk/compositions/piece.php?pieceid=58
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This midi took me 3 days to make in Finale 2014. I almost died making this because of getting so tired in making this. Such a disaster. Midi:http://www.mediafire.com/file/tk6avy5cih3c7fc/Etude5a_S.140.mid Etude 4a.mid coming soon...
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Put the seperation of left hand and right hand
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How to play Cooperative mode on Hotd M2 emulator:Find the EMULATOR.ini and find the use raw input and edit these in the emulator.ini UseRawInput=3 RawP1=0 RawP2=1 Now you can play cooperative mode.Enjoy! :)))) BTW,you need 2 mouse for it.
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Midi:https://www.mediafire.com/file/z58vd7xuocknix0/normaossia.mid There are a couple mistakes in the midi if you listen carefully and this is Koichi Hasegawa's midi www5b.biglobe.ne.jp/~hasekou/norma.mid Just don't click on that. It's removed. Just download the original at http://skat.ihmc.us/rid=1149517712592_1003589887_11613/norma.kar
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Midi:www.hamienet.com/midi38800_Rondeau-fantastique-sur-un-theme-espagnol-%5CEl-contrabandista%5C.html Sheet Music:imslp.org/wiki/Rondeau_fantastique_sur_un_thème_espagnol,_S.252_(Liszt,_Franz)
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Liszt - Études d'exécution transcendante d'aprés Paganini no.6 (Piano 3D) https://everyplay.com/videos/39230569 Video recorded with Everyplay. Download Piano 3D on the App Store: https://itunes.apple.com/app/id771068869
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This version of Mazeppa is much more harder than the Transcendental version one. Mazeppa along with Feux Follets is thought to be one of the most difficult of the twelve études, both musically and technically. It requires great speed and endurance, as well as a complete familiarity with the piano due to the abundance of jumps that span more than an octave.
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Pf: Wenbin Jin Timestamps (By Amedee Mereaux, thank you): 0:00-0:56 (1) Presto (C major) 0:58-3:26 (2) Molto vivace (A minor) 3:30-7:58 (3) Poco adagio (F major) 8:00-13:38 (4) Allegro patetico (D minor) 13:41-17:46 (5) Egualmente (B♭ major) 17:48-24:07 (6) Largo patetico (G minor) 24:11-29:52 (7) Allegro deciso (E ♭ major) 30:00-37:20 (8) Presto strepitoso (C minor) 37:27-47:35 (9) Andantino (A♭ major) 47:39-53:56 (10) Presto molto agitato (F minor) 54:02-1:04:22 (11) Lento assai (D♭ major) 1:04:27-1:12:05 (12) Andantino (B♭ minor)
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Marc-André Hamelin - Preaumbulum to an Imaginary Piano Symphony (Homage to Sorabji) https://everyplay.com/videos/48182341 Video recorded with Everyplay. Download Piano 3D on the App Store: https://itunes.apple.com/app/id771068869
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John Ogdon, piano. This is the first movement of Opus Clavicembalisticum by Kaikhosru Shapurji Sorabji. The tempos are Adagio or crotchet = 60, Vivo e Pesante molto. or crotchet = 120 or crotchet = 90 or 100 (for real pianists), Libero or as fast as possible, next measure after that is crotchet = 48, Presto or crotchet = 90, and the next two measures after that is crotchet = 120 or 90, and the last chords are Adagio or crotchet = 60 or 50. I do not own anything in this video. All rights goes to The Sorabji Archive, Alistair Hinton, Altarus, and John Ogdon Estate.
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Nicola Ventrella, piano I only showed the first page so I guess Alistair won't take this down. I do not own anything in this video. All rights goes to The Sorabji Archive, Alistair Hinton, Alex Abercrombie, Simon Abrahams, Frazer Jarvis, Lukas Huisman, and Jonathan Powell www.sorabji-archive.co.uk/compositions/piece.php?pieceid=66
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Kevin Bowyer, organ. I do not own anything in this video. All rights goes to The Sorabji Archive, Alistair Hinton, and Kevin Bowyer. www.sorabji-archive.co.uk/compositions/piece.php?pieceid=53
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Jonathan Powell, piano. This is the fourth movement of Opus Clavicembalisticum by Kaikhosru Shapurji Sorabji. The tempos are Scorrevole: leggiero or crotchet = 117, Presto volante, leggiero. or crotchet = 210 and back to crotchet = 117 after that part. I do not own anything in this video. All rights goes to The Sorabji Archive, Alistair Hinton, and Jonathan Powell.
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Midi by David Carter This starts with the first 4 minutes of the Preludio fading out and back in at 4'04" into the last 2'30" of the Preludio which end at 6'30" when the Adagio starts. You get the first 3'16" of the Adagio which then it fades out and back in at 9'46" to a section in the middle of the Adagio which caught my eye. Much of the Adagio, it seems to me is something of a funeral march, there certainly seems to be a steady tramp through large sections of the Adagio this middle passage in particular. This section fades out at 13'41" and into the the last part of the Adagio which ends at 16'15" when we go straight into the remarkable Toccata which in this performance opens quietly and has an almost eerie mysterious quality. There are so many notes that you only get (for the moment) the first three minutes when at 17'23" we fade out and back into the last three minutes which ends at 20'36". -David Carter I do not own anything in this video. All rights goes to The Sorabji Archive, Alistair Hinton, David Carter and Kevin Bowyer.
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I do not own anything in this video. All rights goes to The Sorabji Archive and Alistair Hinton.
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Midi:https://www.mediafire.com/file/x486674zq63mjfh/Etude%204a.mid Here is the long awaited 4a video!
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A study made by me with some of Sorabji's movements in Opus Clavicembalisticum (others are just by me). I made this study because I was inspired by a lot of composers and I know it will sound bad to some people who don't like atonal music Sheets:http://www.mediafire.com/file/n4dlo5uj28dvzly/Transcendental%20Study%20I.pdf I call this a #@%&ing horrifying terrible piece of mine. Much worse than Xenakis and Finnissy’s music
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I'm sorry guys.......
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These are all the endings of each movement in OC. The ff. pianists are: Jonathan Powell (Pars Prima) John Ogdon (Pars Altera, Pars Tertia, except for Fuga IV) Midi (Fuga IV) Lukas Huisman (Cadenza I, Adagio) I do not own anything in this video. All rights goes to The Sorabji Archive, Alistair Hinton, John Ogdon Estate, Jonathan Powell, Lukas Huisman, and Altarus.
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MIDI, organ. The time signatures are 29/16 and 12/4. The tempos are crotchet=30 with ralenti, to Adagissimo (as shown in the last measure) Yellow = pedals Blue = left hand Green = right hand I do not own anything in this video. All rights goes to The Sorabji Archive, Alistair Hinton, and Kevin Bowyer.
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